This Artist Paints Women With Detailed Tattoos On The Back Inspired By Classical Art And They Are Incredibly Realistic

Agnieszka Nienartowicz is a polish artist who creates stunningly realistic portraits of women with tattoos on the back using oil paints. These portrait images and the tattoos on them are highly detailed and inspired by classical art.

Nienartowicz’s work got some fame when she used Bosch’s Garden of Earthly Delights as the inspiration for an elegant oil painting. After that, her canvases continue to inspire and make an impression more than before.

These women are forever adorner with such historical and religious figures, bringing an emotional touch to the paintings. This helps her bring historical art to the 21st century and use it. Each canvass’s detail represents her ability to skillfully paint classically, and also, the brushstrokes are barely visible.

It is not just oil paint; it is a masterclass in oil painting. Her ability to create the women and clothing realistically is incredible. She is pushing the limits of what we can expect from contemporary art. So, this polish artist proves that figurative oil painting can be just as cutting edge.

This polish artist Agnieszka Nienartowicz is famous for her detailed oil paintings of women with tattoos.

“Purple Ribbon” after Hieronymus Bosch

The realistic tattoos are inspired by classical arts.

“Purple Ribbon” (detail) after Hieronymus Bosch

“Purple Ribbon” (detail) after Hieronymus Bosch

Nienartowicz paints hyper realistically infused with emotion.

“The Unveiling”

“The Last Judgment” after Anton Möller

She often used Biblical scenes for her tattoo.

“Mary Magdalene’s Tears” after Guido Reni


“God’s Sheep” after Hans Memling

When looking closely, we can see extreme details, and it proves her high level of technical skill with oil paint

“God’s Sheep” (detail) after Hans Memling

“The Fall of the Rebel Angels” after Pieter Bruegel the Elder


“The Fall of the Rebel Angels” (detail) after Pieter Bruegel the Elder

“The Last Judgment” (detail) after Anton Möller


“Mary Magdalene’s Tears” (detail) after Guido Reni
“The Unveiling” (detail)

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